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Contents

Simon Young - A Journey Through the Concerto for Piano and Wind, “Homages” by Edward Gregson

Jim Samson  -Rewriting Early Nineteenth-Century Music History

Julijana Zhabeva - The Reconstruction of Music Life in Absence of Artifacts, Graphic and Written Materials

Mirjana Pavlovska – Sofia Neglobinska’s Influence on the Development of Music Life in Struga between World War I and World War II

Dieter Ringli - The «Old New Year’s Eve» – a Rural Swiss Yodeling Custom

Dragan Dautovski - The Sound Realization of the Ornaments from the Folk Music Tambura Performance Tradition in Macedonia

Tome Manchev - The Traditional Folk Instruments as Inspiration for Macedonian Contemporary Music Composers

Aleksandar Dimitrievski - The Influence of the Analog Recording Technology on the Final Product of Instrumental Ethnopop Music in the 1980s in Macedonia

Eleni Novakovska - Digitization of the Photos from the Vasil Hadzimanov Legacy

Ivona Tatarchevska - The Development of the Dance Notation

Darko Ilievski - The Digitization of Nikola Badev’s Collection


Frans de Ruiter - Is Contemporary Music High Art or Low Art?

Manon Heyne - Key Issues of Contemporary Music Vocal Performance

Viktorija Kolarovska-Gmirja - Determinants of the Music Culture of Elementary School 1st Grade Students in Skopje

Stefanija Leshkova - Distribution of the Database Results on Music Events in Skopje in 2004


Roza Nolceva - Musicians Stay Local - Artist Management Trends in the Republic of Macedonia


Valon Kryeziu - Children's Music Festivals of the Albanian Community in Macedonia

Vesna Maljanovska - Cataloguing Music TV Programs


Dojrana Prokopieva - The Distribution of Data in the Catalogues of Vidoeski’s Cassette and Tape Collections